Twisted Objects is an ode to popular culture in which obsolete generic ephemera are warped and distorted, reflecting an obsessive perception of mundane objects. Shot without CJI effects, Twisted Objects was exhibited in several cities such as Paris, Berlin, Madrid and Vienna. A special shortened edit was released in 2014 in collaboration with Nowness.
Conceived and published by Ill-Studio in 2014, Neapolis is a subjective attempt to connect the dots and explore the imprint left in our lives by skateboarding as teenagers, through a selection of works and reflections from artists, authors and photographers.
A journey through images, essays and interviews from fields as diverse as Architecture, Contemporary Arts, Choreography, Youth Studies and the Sociology of risk.
Neapolis features works by : Rick Owens, Taro Hirano, Paul Virilio, François Chaignaud, Jean-Max Colard, Aaron Young, Camille Vivier, Michael Heizer, Bertrand Lavier, Dan Colen, Jérémie Egry, Aurélien Arbet, David Luraschi, Jerry Hsu, Audrey Corregan, Estelle Hanania, Mike Davis, Barbara Bloom, Robert Kinmont, Mark Gonzales, Alicja Kwade, Ugo La Pietra…
Installation : Sol LeWitt
Photography : Jerry Hsu
Paul Virilio interview (left) — Photography : David Luraschi (right)
Photography : Taro Irano
Photography : Estelle Hanania
Photography : Erwim Wurm (left) — Installation : Dan Colen (right)
Installation : Ill-Studio
Mark Gonzales / Johannes Wohnseifer Performance
Essay by Sebastien Carayol
Robert Kinmont (left) — Elisabeth Ballet (right)
Essay by Rick Owens
Bertrand Lavier (left) — Isamu Noguchi (right)
Photography : Hugo La Pietra
Installation : Ill-Studio
Photography : Aurélien Arbet & Jérémie Egry
Geodesic Dome is a sculptural work by Ill-Studio exhibited in
Paris in 2008. Ill-Studio imagined a fictional encounter between designer Rei Kawakubo and architect Richard Buckminster Fuller.
At the occasion of 2010 soccer World Cup in South Africa, Ill-Studio was appointed by Nike to transform its Parisian gallery into a temple celebrating the game of soccer.
«Ill-Studio? I first considered them as “contemporary aesthetes”. This could look like an oxymoron, a contradiction : the aesthete, in its old and dandy-est sense, is all about disdain for democratic productions, industrial civilization artifacts and popular surfaces, and for this crowd he snubs with his aristocratic taste.
You can find this in Ill-Studio’s work since 2007: whatever they’re asked to work on, they showcase the evidence of a cult of beauty, managing to combine minimalism with that kind of preciousness that may lead to esotericism.
The style is their style, before displaying any technical know-how or graphico-conceptual protocol. Except that this true “hyperesthesia disease” (illness?) does not only apply to quality items, but to some indifferently high or low forms of contemporary culture. This is the artistic direction that will be showcased during their exhibition Fetishistic Scopophilia : highlighting visual obsessions, to exhibit references, to taste raw materials.»
Text by Jean-Max Colard