A book by ILL-STUDIO and GENERAL_INDEX, in partnership with SLAM JAM.
Sifting through the prosthetic memory of our contemporary time, the ADDPM Programme aims to scale a collective human legacy. The current epoch floats in a sea uninfluenced by logic, one so large that it almost cannot be seen.
No longer is there a distinction between virtual fantasy and political reality, archaic ritual or radical subversion, pop culture or fringe knowledge. This is the opposite of hierarchy. This is emotional contagion. This is a mountain of cultural recollections smashed into a level plain. While its embrace is boundless and panoramic, it is also unconditionally subjective in what it deems relevant.
The ADDPM Programme presents a perspective on the cultural and cognitive flattening of human networked recollections through various sensory and emotional expressions. Brief histories of the future, snapshots of the present and prolonged perceptions of the past shape-shift and fuse together to evolve into a collection of encyclopaedic explorations that formulate a taste of our current time.
These records sink into the residue of what it took to arrive at the dawn of the Anthropocene Era and examine its fingerprints, while synchronously shaping a cast of what the future might resemble in the form of a shared fantasy.
This must be the place. This is a safe space.
Post-Postmodernism, CNAC Gallery, Tokyo. An exhibition by Ill-Studio, featuring photographers Alex Blouin, Allyssa Heuze, Antje Peters, Carl Oliver Ander, Chris Maggio, Fabrizio Albertini, Jack Bool, Marvin Leuvrey, Matthieu Lavanchy, Osma Harvilahty, Sean David Bradley, Stig De Block and Younes Klouche.
Photography : Younes Klouche
Photography : Chris Maggio
Photography : Marvin Leuvrey
Photography : Matthieu Lavanchy
Photography : Carl Oliver Ander
Photography : Jack Bool
Photography : Alex Blouin
Photography : Antje Peters
Photography : Allyssa Heuze
Photography : Stig De Block
Photography : Sean David Bradley
Photography : Fabrizio Albertini
Parabola explores the undercurrent relationship between modern standardized productions and Avant-Garde Art forms of the 20th century through their common postmodern lexicon.
The installation emphasizes the interchangeable nature of the vocabulary used by the "Industrial Civilization" of the 20th century and modernist artists such as John Cage, Hans Hofmann, Jean Dubuffet, Ryuichi Sakamoto, Andrei Tarkovsky or Claude Debussy.
Here, the titles of the artists' iconic work become mundane logotypes, diplayed on standardized contemporary artifacts.
Production : Great Co.
New chapter. New rules. Duperré basketball court in collaboration with Stephane Ashpool.
Photography : Maxime Verret
Drone Image : Alex Penfornis
Initially made for Ill-Studio’s first solo exhibition in Paris, this sculpture made of plaster represents a pair of Nike TN. The Nike TN is a very popular shoe of the French youth culture from the 2000s, and it is here presented as seen by future archaeologists finding a vestige of our modern civilisation.